Grave of the Fireflies Anime Review
Grave of the Fireflies
/ Theatrical Movie / Drama /
Bottom Line
Understated and necessarily painful, but finely realized and one of the most moving anti-war films ever made.
It’s Like...
...Ghibli does a characteristically realistic and uncharacteristically tragic slice-of-life war story.
Vital Stats
Original Title
火垂るの墓
Romanized Title
Hotaru no Haka
Animation Studio
Ghibli
US Release By
Genre
World War II Homefront Drama
Series Type
Theatrical Movie
Length
88 minutes
Production Date
1988-04-16
What's In It
Categories
Look For
- War
- Tragedy
Objectionable Content
- Violence: 2 (moderate)
- Nudity: 1 (mild)
- Mature 0 (none)
- Language: 1 (mild)
Plot Synopsis
In the latter part of World War II, a boy and his sister, orphaned when their mother is killed in the firebombing of Tokyo, are left to survive on their own in what remains of civilian life in Japan. As the situation grows progressively worse in the war, things deteriorate proportionally on the homefront. We follow Seita and Setsuko as they do their best to survive in the Japanese countryside, battling hunger, prejudice, and pride in their own personal battle.
Quick Review
Switch to Full Review"Powerful," "moving," "touching," and "great" are words frequently used by people to describe movies, but this is one of the very few cases where they are most sincerely deserved. Simultaneously an allegory of human failings and a quiet but unflinching look at two children caught in the peripheral effects of a war, Grave of the Fireflies is one of the most painful and affecting movies you're ever likely to see, animated or otherwise. The slow-motion tragedy is presented in subtle but beautifully detailed animation in the steady-handed, minutely realistic style of Ghibli director Isao Takahata.
Grave of the Fireflies is a touching and extremely painful movie to watch, but it's not an idle tearjerker. This movie is direct, honest, thought provoking, and worth watching by anyone. Just make sure you're ready for it before you start.
Full Review
Switch to Quick Review"Powerful," "moving," "touching," and "great" are words frequently used by people to describe movies, but this is one of the very few cases where they are most sincerely deserved. Roger Ebert, hardly known as one to heap undue praise on any movie, called Grave of the Fireflies "one of the greatest war movies ever made," and far from hyperbole, that's exactly the level of praise that accurately describes it.
Simultaneously an allegory of human failings and a quiet but unflinching look at two children caught in the peripheral effects of a war, Grave of the Fireflies is one of the most painful and affecting movies you're ever likely to see, animated or otherwise. In many cases, the fact that it is animated gives simple actions and scenes a beauty and innocence that would not have existed otherwise, creating all the more contrast with the harsh and painful realities experienced by the characters.
On that subject, note that although Grave of the Fireflies was produced by Studio Ghibli, Hayao Miyazaki's studio, this movie was not a product of the mind of Miyazaki, and it shows. Directed by Isao Takahata, the other Ghibli master who specializes in personal scale and minute detail, the visual style might be familiar, but Kiki's Delivery Service this is not, and you should brace yourself before you start watching. It is in some ways uplifting in its portrayals of simple beauty in the darkest of situations and the strength of the human spirit, but although it never resorts to heavy-handed tragedy or melodrama, this tale of two children standing up in the face of adversity and slowly falling victim to a host of human frailties--suspicion, prejudice, and pride--is unsparing and deeply tragic from start to finish.
At first glance, one might get the idea that Grave of the Fireflies is some kind of anti-American propaganda. In truth, it is nearly the opposite. Although the children fall victim to the hardships brought on by the war, no Americans ever appear, and they are rarely mentioned. If anything, on one level, this movie could be seen as a metaphor for the entire country of Japan during the war: fighting a losing battle, yet too stubbornly proud to admit defeat or accept help.
Similarly, it can be seen as a condemnation of pride; the story is based on a semi-autobiographical novel written by a man who survived the war on the homefront, but whose younger sister died of starvation while in his care. On that level, it may have been a sort of catharsis, harshly depicting the result of Seita's unwillingness to seek help or resort to theft to obtain food, and ultimately allowing his grief to consume and punish him--something that never happened to the real person--for that decision. Metaphor and symbolism aside, the enemy in this movie is painted as the kind of human weaknesses that come from and even create war: pride, the suspicion that falls upon two children trying to live on their own, and the prejudice leveled against a healthy young man who doesn't want to fight.
Above all, though, the enemy in this story is war--you never see a battle or an army, but you can see the tragic effects of war on even the idyllic countryside far removed from the front. Grave of the Fireflies puts a human face on the civilian population of Japan during the war--something few movies have done, and none have done so well. Moreover, it manages to do so in a painful and realistic, yet still understated, manner. It is, in fact, almost too painful to watch, but equally difficult to take your eyes off. All this, and it is animated--anyone who thinks animation can't tell a realistic story with any impact has never seen this movie, and should be required to do so.
Even on the level of pure visual craftsmanship, Grave of the Fireflies is a masterwork. The animation, though extremely subdued, is fluid and surprisingly realistic; just watching the everyday acts animated in this movie gave me a new appreciation of animation as an art form. Try taking the time to really watch the animation in a few scenes--you might be surprised. The art is not spectacular, but is well done, and has a slightly old-fashioned style that works well. Being by studio Ghibli, it is no surprise that the character designs are reminiscent of those in other Ghibli movies.
Finally, there's the acting, which (at least in Japanese) is extremely good. Setsuko in particular is one of the most convincing pieces of acting for a child I've ever seen. She is completely believable as the age she is--neither too cute nor too articulate. The orchestral score rounds out the aural picture, providing emotional undertones without ever forcing or even encouraging a response--the movie needs no help with that.
Grave of the Fireflies is a touching and extremely painful movie to watch, but it's not an idle tearjerker. This movie is direct, honest, thought provoking, and worth watching by anyone. Just make sure you're ready for it before you start.
Related Recommendations
Rail of the Star has a similar theme, but is not as well done as Grave of the Fireflies. Rail of the Star is also much closer to the uplifting end of the emotional spectrum. On a far lighter note, several of Ghibli's other slice-of-life productions, most notably Whisper of the Heart, share the same attention to detail.
Notes and Trivia
The story, as mentioned above, is based on a semi-autobiographical novel by Nosaka Akiyuki.
A production of Studio Ghibli, the great Hayao Miyazaki's animation workshop, Grave of the Fireflies is one of the few movies produced by it that wasn't penned by Miyazaki. Interestingly enough, it apparently ran as a double bill with My Neighbor Totoro when they were first released theatrically in Japan (neither movie was expected to succeed commercially).
I rarely mention other reviewers, particularly non-anime ones, but Roger Ebert's review of Grave of the Fireflies for the Chicago Sun-Times includes, in addition to praise rarely given to an anime film by the mainstream press, a number of very interesting analyses that only someone well versed in film history could come up with, and also cites a number of other sources analyzing the film, the book, and their content. I found it quite interesting if for no other reason than the quotes from other sources, and I recommend a look.
US DVD Review
There are two DVD versions. The newer special edition is impressive; it has the movie in anamorphic widescreen video, bilingual audio, and alternate-angle storyboards on the first disc. The second DVD includes a variety of interviews (including, oddly enough, one with the oft-quoted Roger Ebert), biographies, historical information, and trailers.
The older single-disc DVD version (now out of print) is, like USM's other early releases, rather basic--it includes a chapter index, subtitle track, and the Japanese and English stereo soundtracks, along with short intros of the main characters. The video is non-anamorphic letterboxed widescreen.
Parental Guide
A very painful movie to watch, and is just too sad for younger children, though it's also probably too quiet to interest them; in the 13-up range, mostly because of the painful content.
Violence: 2 - One scene of the fire bombing of Tokyo.
Nudity: 1 - A few scenes involving bathing.
Sex/Mature Themes: 0 - None.
Language: 1 - Mild language.
Availability
Available in the US from US Manga Corps on a bilingual DVD special edition (buy from RightStuf or AnimeNation). Was previously available on a more basic bilingual DVD, subtitled and dubbed VHS all now out of print.
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