Macross Plus Anime Review
Macross Plus (OAVs)
/ OVA / Drama / 13-up
Bottom Line
Emotionally involving and visually spectacular, anime doesn't get much better than this.
It’s Like...
...Top Gun meets Macross, with Yoko Kanno music and a ridiculous budget.
Vital Stats
Original Title
same
Romanized Title
Macross Plus
Animation Studio
Triangle Staff
US Release By
Genre
Top Gun-Style Sci-fi Action Drama
Series Type
OVA
Length
4 episodes, each 45 minutes (ep 1) or 40 minutes (ep 2-4)
Production Date
1994
What's In It
Categories
Look For
- Transforming Robots
- Unparalleled Dogfighting
- Awesome Aerial Chases
- Romance
- Amazing Robo-pop Music
Objectionable Content
- Violence: 2 (moderate)
- Nudity: 1 (mild)
- Sex: 2 (moderate)
- Language: 1 (mild)
Plot Synopsis
Seven years ago, three young kindred spirits shared wonderful moments together. Now, they've each gone their own way: Isamu Dyson, a wild and carefree daredevil who lives to fly; Guld Bowman, a cold, formal half-Zentraedi dedicated to the military; and Myung Lone, a former singer who now works as the manager for the wildly popular Sharon Apple, an artificially intelligent computer singer.
Isamu and Guld, both test pilots, are reunited as part of two opposing teams vying for the contract to design the new U.N. Spacey Veritech fighter. It's not long into the combat testing before old animosity between the two pilots surfaces, and a violent confrontation between the two during testing is only the first run-in. Things are complicated further when they find that Sharon Apple is on the planet doing a concert, bringing Myung with her. Though they have all changed over the years, Isamu and Guld's feelings for Myung still run deep, and there is a dark secret from the past that continues to drive them apart.
Quick Review
Switch to Full ReviewMacross Plus takes all the fundamentals of the Macross heritage--strong characterization, interesting (if not wildly original) plot, pop singing, and plenty of transforming robot action--and elevates them to something entirely new. Wrapped in world-class visuals, seasoned with spectacular action, grounded in a rich and emotionally nuanced plot, and backed by one of the most memorable scores of all time, it is Macross Plus is everything you could ask for in anime. The only possible complaint I have is that the end is a little "out there" in comparison to the otherwise down-to-earth story and setting, but that's a minor gripe indeed.
Despite its long lineage and relatively archetypal story, Macross Plus feels fresh, interesting, and is just plain good anime. Truly one of the modern anime classics, it is a must see for almost anyone: For Macross fans, for transforming robot fans, for admirers of beautiful art and animation, and for basically anyone who even claims to like anime.
Full Review
Switch to Quick ReviewNote: This review applies to both the OAV and Movie versions of Macross Plus, but focuses on the OAVs. For a brief review of how the movie compares, see the separate review.
Macross Plus is certainly an apt name--the fundamentals of Macross taken a step higher. Everything from the Macross heritage is here: Strong characterization, interesting (if not wildly original) plot, pop singing, and plenty of transforming robot action. But each is elevated to something new and wrapped in absolutely spectacular visuals. Despite its long lineage and relatively archetypal story, Macross Plus feels fresh, interesting, and is just plain good anime.
Of all the Macross incarnations through the years, Plus is probably the best known, and with good reason. As with most previous Macross outings, the setting and background of the world may be a bit confusing for those who aren't familiar with the series, but the plot is self-contained enough that even newcomers won't feel left out.
Although superficially Macross Plus is Top Gun in space, as with the rest of the Macross series it's closer to a soap opera than an excuse for dogfights. This balance of action and characterization appears in some shoujo-style stories, and is a defining feature of the Macross series, but Macross Plus is very nearly the pinnacle of the concept. The emotional substance is one of the things that keeps Macross fans coming back, and Plus offers a perfect example of why: Shifting the focus from the action to the characters while still having dogfights that put Top Gun to shame makes Macross Plus as emotionally involving as it is visually riveting.
The characters and their relationships have plenty of depth, and interesting, troubled personalities. The story has a classic, archetypal theme that may seem a little tired to some, but the richness of the characters and their dimensionality adds so much to the mix that even the relatively simple plot is involving. Actually, my one and only complaint is that, for a story that is so archetypal and characters that feel so real, the plot takes a remarkably weird turn toward the end--mind-controlling megalomaniac robots seem a little out of place. The finale in particular has as much in common with AKIRA as any of the earlier entries in the franchise. The movie version, it's worth noting, makes some significant adjustments to improve this.
The visuals of Macross Plus are something else altogether--simply put, a stunning piece of work. Said to be one of the most expensive OAVs ever created, it looks the part in every way. Just imagine a Robotech episode animated on a Disney budget--theater-grade animation in a four-episode package. The character designs are sharply featured, three dimensional, and attractive. They're also something of a departure from the rounded, soft-looking Mikimoto designs that have long graced the Macross series, though that's not at all a liability. The art is smooth, detailed, and downright gorgeous--a word I don't throw around lightly. The action, both mechanical and character, is beautiful and beautifully animated, with a few truly spectacular mecha battles and dogfights. Again, those are not superlatives I use wantonly.
Music has been a central theme of the Macross series since the beginning, and as one might expect in a series involving a robotic singer and her manager, Macross Plus is no exception. Like the visuals, however, the quality is on an entirely different level: Master composer Yoko Kanno is at the wheel, and her genre-spanning (and genre-creating) skills are evident in everything from the thematically varied background music to the stunning Sharon Apple songs.
Sharon's music has a pop feel, but is sung in a variety of languages and artificially modified voices (in at least one case by Kanno's singer alter-ego Gabriella Robin). The musical backing is distinctly international (or non-national), and occasionally makes creative use of pop-culture sampling. The end result is mesmerizing. The songs are powerful, lyrical, mysterious, and just alien enough that you could believe a computer dreamed them up. Then there is the series' haunting theme song, Voices, sung a cappella by Akino Arai and so beautiful that it has deservedly claimed a spot among the most famous anime songs of all time. In addition to being just plain great music, these songs play an important role in the story (though, notably, a much less overblown one than past Macross series).
Offering a wonderful contrast, the non-vocal background score is performed by a full orchestra, and is composed and executed with a very classical feel--upbeat and grandly adventurous. There are also a handful of unique pieces woven in, from a lonely acoustic guitar solo suited to a dusty Western, to a playful tune performed almost entirely by a group of whistlers accompanied by drums.
I have little to say about the acting other than that, as with everything else, it is of the highest quality. The Japanese acting is marvelous--a large part of the reason the nuanced character drama works so well. The acting in the English dub is is quite good as well.
Summing up, the animation is second to none, the art is beautiful, the action is world-class, the music is amazing, and, most surprisingly, the story still manages to be character driven, with detailed characters and quality acting (even in the dub). Macross Plus is a must-see for almost anyone: For Macross fans, for transforming robot fans, for admirers of beautiful art and animation, and for basically anyone who even claims to like anime.
Macross Plus is truly a modern anime classic.
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Related Recommendations
If you're a Robotech fan, you should love it if for nothing more than the visual spectacle. If you're a Macross fan, you're almost certain to love it. Gunbuster, though quite different in plot, is in a similar spirit and style. Finally, though the setting and story is entirely different, The Place Promised in Our Early Days shares some of the emotional character and sense of lost childhood innocence.
Notes and Trivia
This review covers the OAV version of Macross Plus. The movie version cuts some material, adds other bits, and makes minor changes to the story. The differences are covered in a separate review.
Macross Plus is part of the long-running Macross franchise that began with the original Macross TV series in the early '80s (which was commandeered for the first part of Robotech). The setting will be recognizable to Robotech fans, but differs greatly from later parts of that saga.
Macross Plus is set about 30 years after the wars of the original series. Since Macross II (which would be set 50 years after Plus) is generally considered to take place in an alternate timeline than the rest of the franchise, Macross Plus is effectively the first real continuation of the original Macross story, albeit one that doesn't involve any of the original characters. There have, since, been an ongoing series of sequels (most composed of TV, OVAs, and movies), including Macross 7, Macross Frontier, and the prequel Macross Zero. There are also several manga and novel adaptations.
Macross Plus was directed by Shinichiro Watanabe (not to be confused with Shinichi Watanabe, aka Nabeshin); Shoji Kawamori, who is generally credited with creating the franchise, is credited as chief director. Kawamori has directed more or less every Macross anime apart from the original TV series, which he did mechanical design and writing for.
US DVD Review
The OAVs are is available on two discs, each containing two episodes. Both include English and Japanese soundtracks, and English subtitles, and the rather flashy menus provide access to production notes, theatrical trailers, and a picture gallery. Both the sound and video quality (it boasts of being "digitally re-mastered") are top-notch.
There is also a box set that packages both volumes together.
Parental Guide
Some serious violence and mature themes make for a 13-up.
Violence: 2 - Quite a bit of realistic fighting, but not much gore.
Nudity: 1 - Sharon's avatar is dressed provocatively, but no real nudity.
Sex/Mature Themes: 2 - Significant mature themes, but nothing explicit.
Language: 1 - Some mild expletives.
Staff & Cast
English Dub Cast
Episode 2:
Lee Stone, Richard George, Anne Sherman, Bambi Darro, Beali Billingslea, Jackson Daniels, Susan Jordan, David Lucas, Alfred Thor, Wendee Swann, Tom Charles, Dorothy Melendrez, Rudy Luzion, Leonardo Ardujo, Marlon Mann, Michael Wang, Richard Hayworth, Gloria Gines, Dougary Grant.
Episode 3:
Lee Stone, Richard George, Anne Sherman, Bambi Darro, Beali Billingslea, Jackson Daniels, Susan Jordan, David Lucas, Melora Harte, Liza Rhesus, Bob Pappenbrook, Ralph Holderness, Paris Themmen, Richard Barnes, A.C. Doyle, Arnie Hanks, Tom Charles, Dorothy Melendrez, G. Gordon Baer, Joe Romersa, Gloria Gines, Dougary Grant.
Episode 4:
Lee Stone, Richard George, Anne Sherman, Bambi Darro, Beali Billingslea, Jackson Daniels, Susan Jordan, David Lucas, Melora Harte, Liza Rhesus, Bob Pappenbrook, Ralph Holderness, Paris Themmen, Richard Barnes, A.C. Doyle, Arnie Hanks, Tom Charles, Dorothy Melendrez, G. Gordon Baer, Joe Romersa, Gloria Gines, Dougary Grant.
Crew
Original Story: Studio Nue/Shoji Kawamori
Screenplay: Keiko Nobumoto
Storyboards: Shinji Higuchi, Johji Kawamori, Shinichiro Watanabe
Original Character Design: Masayuki
Art Director: Katsufumi Hariu
Music: Yoko Kanno
Sound Director: Masafumi Mima
Director of Photography: Takashi Azuhata
Animation Director: Astushi Aono (ep 2, 3), Yasuhiro Seo (ep 4)
Mechanic Animation DIrector: Masami Goto (ep 4)
Special Effects: Setsuko Tamai (ep 2), Toyohiko Sakakibara (ep 3, 4), Takeshi Saito (ep 4)
Art Direction: Katsuhisa Nagaisi
Producer: Minoru Takanashi
Co-Director: Shinichiro Watanabe
Director: Shoji Kawamori
Music: Myung's Song
"Voices"
Lyrics: Wakako Kaku
Music and Arrangement: Yoko Kanno
Performance: Akino Arai
English version translation: Michelle Flynn
English version performance: Michelle Flynn
Music: Sharon's Songs
"Santi-u"
Lyrics: Gabriela Robin
Music and Arrangement: Yoko Kanno
Performed by: Yoko Kanno
"Information High"
Lyrics: Dai&Ken-Go-->
Music: CMJK
Performed by: Melode Sexton
"Pulse"
Lyrics: Gabriela Robin
Music and Arrangement: Yoko Kanno
Performed by: Wu Yun Ta Na
"A Sai en"
Lyrics: Gabriela Robin
Music and Arrangement: Yoko Kanno
Performed by: Raiché Coutev Sisters
"Idol Talk"
Lyrics: Gabriela Robin
Music and Arrangement: Yoko Kanno
Performed by: Akino Arai
"The Borderline"
Lyrics: Gabriela Robin
Music and Arrangement: Yoko Kanno
Performed by: Akino Arai
"After, In the Dark"
Lyrics: Mai Yamane/Gabriela Robin
Music and Arrangement: Yoko Kanno
Performed by: Mai Yamane
Availability
Available in North America from Manga Video on two hybrid DVD volumes (OAV version), or a box set containing both volumes. Was originally available on four subtitled or dubbed VHS volumes (OAVs). The Movie Edition is also available, subtitled only.
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